Course Overview
Every great film begins with a strong idea. In this diploma, you will learn how to craft compelling stories—whether as emotional dramas, slice-of-life documentaries, or short-form social media content. You will explore the entire storytelling process in film and video production, and delve into the evolving role of AI in filmmaking and how it is shaping creative workflows and possibilities.
Gain core competencies in screenwriting, directing, cinematography, sound, editing, and production design. Pitch to clients, work in teams, and bring ideas to life across genres and formats. Your films will compete in local and international festivals—from The Pinwheels and Crowbar Awards to the New York Festivals TV & Film Awards. You will join learning journeys to local and overseas studios, attend major events such as the Busan International Film Festival, and collaborate with organisations like SAFRA, the Singapore Kindness Movement, Honour Singapore, and the Singapore Discovery Centre. Your work may even be featured on Singapore Airlines’ in-flight entertainment or screened at venues like the Esplanade and Oldham Theatre.
You will be mentored by award-winning filmmakers and trained in professional studios with industry-standard equipment. Our close ties with industry partners offer real-world projects, mentorship, and internships that prepare you for careers in film, television, advertising, and digital media. If you’re passionate about storytelling and ready to bring ideas to life, your journey starts here.
Entry Requirements
To be eligible for consideration for admission, applicants must obtain 26 points or better for the net ELR2B2 aggregate score (i.e. English Language, 2 relevant subjects and best 2 other subjects, including CCA Bonus Points) and meet the minimum entry requirements of this course. CCA cannot be used to meet the minimum entry requirements.
English Language
Mathematics (E or A)
Any one of the subject in the 2nd group of relevant subjects for ELR2B2-D Aggregate Type
- Art
- Biology
- Biotechnology
- Chemistry
- Computing / Computer Studies
- Creative 3D Animation
- Design & Technology
- Design Studies
- Food & Nutrition/ Nutrition & Food Science
- Electronics / Fundamentals of Electronics
- Higher Art
- Media Studies (English)
- Media Studies (Chinese)
- Physics
- Science (Chemistry, Biology)
- Science (Physics, Biology)
- Science (Physics, Chemistry)
• Singapore-Cambridge GCE O Level applicants with good grades in the relevant subjects at their Singapore-Cambridge A Level may be granted subject exemption on a subject by subject basis.
• Applicants who are in the Singapore Integrated Programme are considered for admissions based on their Year 4 school results, pegged closely to the course entry requirements for Singapore-Cambridge GCE O Level qualification.
Note:
- Applicants with mild or severe colour vision deficiency may have difficulties meeting the course requirements and expectations. Interested applicants with mild or severe colour vision deficiency are highly encouraged to contact Temasek Polytechnic for more information.
- Applicants with severe visual impairment may have difficulties meeting the course requirements and expectations. Interested applicants with severe visual impairment are highly encouraged to contact Temasek Polytechnic for more information.
- Applicants with physical impairment or are physically dependent on mobility equipment may have difficulties meeting the course requirements and expectations. Applicants with impaired or limited motor functions may be assessed on a case-by-case basis to determine their suitability for the course. Interested applicants with physical impairment are highly encouraged to contact Temasek Polytechnic for more information.
- Year 1
- Year 2
- Year 3
- TPFun
You will take this set of subjects that builds your foundation skills, strengthens your craft, and encourages you to experiment and discover with confidence.
You will take this set of subjects that develops your ability to shape concepts, create solutions, and work across interdisciplinary contexts.
| Subject Code | Subject | Credit Units | ||
|---|---|---|---|---|
| DEC1056 | Data & Code as Creative Tools
This subject introduces students to creative methods for using data and code in design. Through accessible low-code and no-code platforms, students explore how computational thinking, and structured data can be playfully reimagined. Emphasis is placed on using these tools to generate interactive design outcomes and expand creative possibilities. |
2 | ||
| DEC1057 | Interactive & Immersive Technologies
This subject explores how emerging technologies—such as sensors, microcontrollers and motion trackers—enable designers to create responsive and immersive experiences. Students experiment with physical computing to prototype interactive systems, gaining an intuitive understanding of how technology can shape user engagement and interaction. |
2 | ||
| DEC2058 | Design Realisation through Technology
This subject brings together digital fabrication and physical prototyping practices to help students realise interactive concepts as tangible outcomes. Through tools like 3D printing, laser-cutting, and hands-on iteration, students refine their ideas into functional prototypes that demonstrate thoughtful application of technology in design. |
4 |
| Subject Code | Subject | Credit Units | ||
|---|---|---|---|---|
| DEC1059 | People-Centred & Inclusive Design
This subject introduces students to the principles and practices of people-centred and inclusive design. Through user research, empathy-building, and accessibility principles, students learn to uncover real needs and engage diverse perspectives with clarity and care. The subject encourages thoughtful design grounded in the realities of people and the contexts they live in. |
2 | ||
| DEC1060 | Facilitating Innovation through Design
Students explore how design enables innovation within cross-functional teams and complex environments. Through practical frameworks, tools and case studies, they learn to frame opportunities, support co-creation and guide creative collaboration. The subject highlights the designer's role as a facilitator of change, helping teams navigate ambiguity and unlock new value. |
2 | ||
| DEC2061 | Prototyping for Service Innovation
This subject focuses on using prototyping to explore and communicate ideas across service and system-level contexts. Students learn how to develop physical and digital mock-ups, test experiences across multiple touchpoints, and refine their solutions through rapid iteration. Data and user feedback are used to inform design decisions and enhance service outcomes in real-world contexts. |
4 |
| Subject Code | Subject | Credit Units | ||
|---|---|---|---|---|
| DEC1062 | Strategic Brand Building
This subject introduces the fundamentals of brand strategy and management. Students learn how to position a brand, define its value, and develop coherent brand systems that connect with audiences. Through case studies and hands-on exercises, they explore how brands stay relevant and align with business goals. |
2 | ||
| DEC1063 | Consumer Psychology & Brand Influence
This subject explores how consumer behaviour and psychology shape brand interactions. Students examine decision-making patterns, emotional drivers, and behavioural insights to better understand how people relate to brands. The subject bridges marketing strategy with human perception, helping students build more meaningful and persuasive brand experiences. |
2 | ||
| DEC2064 | Storytelling for Brand Engagement
This subject explores how storytelling and data-driven insights come together to engage audiences across marketing platforms. Students learn to craft compelling brand narratives, apply performance analytics, and develop targeted strategies that align with consumer behaviours. Through integrated campaigns, they activate brands that are both creatively distinctive and strategically informed. |
4 |
| Subject Code | Subject | Credit Units | ||
|---|---|---|---|---|
| DEC1065 | Digital Content Strategy
This subject introduces students to the fundamentals of social media and content strategy. They learn how to plan, manage, and measure content across platforms to build brand presence and engage audiences. Students explore performance analytics and platform-specific behaviours to craft strategic, consistent, and effective digital content. |
2 | ||
| DEC1066 | Crafting Stories for Digital Media
This subject focuses on storytelling techniques for digital content creators. Students learn how to structure compelling narratives, storyboard ideas, and write with clarity and purpose. Drawing on principles from journalism, content marketing and digital publishing, the subject helps students shape stories that resonate across media formats and audience types. |
2 | ||
| DEC2067 | Media Production for Content Creators
This subject equips students with practical production skills for digital content creation. They learn how to plan, shoot, and edit photo and video content while working with lighting, sound and composition. Through hands-on projects, students produce engaging media assets that align with platform and audience needs, building content that is both technically sound and creatively effective. |
4 |
| Subject Code | Subject | Credit Units | ||
|---|---|---|---|---|
| DEC1068 | Creative Business Essentials
This subject introduces students to the practical realities of running a creative business. From understanding business structures and managing finance to finding clients, students learn how to operate independently and sustainably. Project management, client communication, and business administration are explored through the lens of creative practice. |
2 | ||
| DEC1069 | Ethics, IP & the Creative Economy
This subject introduces the legal and ethical considerations relevant to creative professionals. Students learn the basics of intellectual property, copyright and contract law, along with the responsibilities involved in fair and ethical business practice. Real-world examples help students understand how to protect their work and navigate client agreements with confidence. |
2 | ||
| DEC2070 | Creative Practice for the Marketplace
This subject prepares students to take their creative work to market. They learn how to position their value, tailor messaging to different audiences, and develop pitching strategies that resonate. From crafting narratives to developing and presenting business ideas, students build confidence in articulating and promoting their creative ventures. |
4 |
Diploma Option Subjects
| Subject Code | Subject | Credit Units | ||
|---|---|---|---|---|
| DMV2678 | Audio Post
This subject will introduce the fundamentals of sound design and cover practical audio post-production techniques. It also focuses on the technical audio postproduction workflow and the creation of soundtrack for video sequences. |
2 | ||
| DMV3668 | Advanced Editing
This subject covers advanced editing terminology and techniques. Proper application of these techniques will be taught to improve on the design of the videos. |
2 | ||
| DMV3669 | Cinematography
This subject focuses on advanced lighting theory and techniques, camera placement, camera angles, camera movement and lens choice, as the basis for the design and execution of video production. |
2 |
| Subject Code | Subject | Credit Units | ||
|---|---|---|---|---|
| DMV2679 | Writing for Non-Fiction Film & Television
This subject gives an overview of scriptwriting for an audio-visual medium and the know-how to design scripts for different non-fiction video and television programme formats. It also provides an understanding of how to apply non-fiction scriptwriting principles and skills in order to develop the script for a message or a story. |
2 | ||
| DMV3670 | Advanced Directing
The subject addresses the role of a film director in an actor-director relationship. The collaborative process during rehearsals and the sharing of interpretations and meanings will work towards extracting honest performances from actors. The craft of conducting an interview will also be explored through an understanding of the aesthetic and technical meanings of the different types of shots required to visually tell a story. |
2 | ||
| DMV3671 | Content Marketing
This subject covers the fundamental concepts of media marketing and distribution in filmmaking and television production. The focus will be on insights and strategies to brand and market a film to the relevant distribution platforms, especially new media distribution channels. Topics will cover market and audience research, marketing strategies and channels of distribution. |
2 |
You will take this set of subjects that deepens your professional readiness through industry exposure, equipping you to produce high-quality work for real-world applications.
| Subject Code | Subject | Credit Units | ||
|---|---|---|---|---|
| DMV3672 | DFT Capstone Project: Short Film
The subject takes the form of a group project. It involves working on the production of a film that showcases the abilities developed throughout the course, reflecting areas of specialisation within the course. It involves scripting, time management, budgetary plans, casting and the execution of directing, camera, audio and editing skills. |
8 | ||
| DGL3071 | Guided Work-based Learning
This subject provides opportunity for students to be involved in industry attachment through collaboration with industry partners. The industry-specific knowledge and skills acquired during the attachment would be facilitated by organisation supervisors and school liaison officers to enhance learning and application of knowledge in a real-world workplace environment. |
10 |
You will also take this set of subjects that equips you with the crucial 21st-century life skills you need to navigate the modern world as an agile, forward-thinking individual and team player.
| Subject Code | Subject | Credit Units | ||
|---|---|---|---|---|
| GTP1304 | Beyond the Classroom: Guided Learning
This subject empowers students to take charge of their personal learning in a chosen area of inquiry. Students will broaden or deepen their knowledge and skills, fostering a proactive approach to lifelong learning. Following a scaffolded process, students will design and execute a personalised learning plan that extends beyond traditional classroom walls. The journey culminates in a curated portfolio that highlights their achievements and growth. |
3 |
Contact
- deshotline@tp.edu.sg
- Website: https://www.tp.edu.sg/des
-
School of Design
Temasek Polytechnic
Central Block 28-28A
21 Tampines Ave 1
Singapore 529757